What the Red Dress Wants
by Lottie McCrindell
after ‘What Do Women Want?’ by Kim Addonizio
Two months and the Red Dress is fantasising futures
It does not understand the phrase let's play it by ear
not when it comes to desire. The Red Dress rejects
moderation, refuses careful speech, bleeds dye
onto ordinary things, mistakes longing
for prophecy. For centuries people have worn red
to announce themselves. Women entering rooms
with no intention of being overlooked
Red has never been the colour of maybe
but the Red Dress waits, holding onto its embroidered fantasy
Another dinner, another drink
the evening proceeds with perfect ordinariness
until the woman who wore the Red Dress
says she has recycled one of her blue dresses
so the Red Dress stands, pays the bill
leaves the mythology behind
Changeable-color textile - Associated Artists (1883–1900) https://www.metmuseum.org/
Lottie McCrindell is a fashion and textile poet and curator. She is the founder of TEXTUS, having co-curated its inaugural exhibition, TEXTUS: in-between text and textile (2023) and solo curated its second exhibition, HOUSE OF HABERDASH (2025), both at the Torriano Meeting House, London. Collaboration sits at the heart of her curatorial and poetic practices and she regularly works with fashion designers, writing poems responding to their collections for their runway shows. Her most recent poetry-dress collaboration with Zandra Rhodes was exhibited as part of Dress Poetics at the Nymphenburg Palace, Munich. @lottie_mccrindell@textus.network